Sam Kudria
Filmmaker / sound
Sam builds the film from what the day actually sounded like — not from a playlist dropped on pretty pictures.
How he works
On the day he stays close to the room, not the shot list. Ceremony audio first, then the pictures that belong to it.
Films he keeps
He watches slow cinema and documentary more than wedding films: quiet blocking, long takes, sound that tells you where you are.
How he cuts
Edit starts with the voices. Picture is cut to breath, not to a beat grid unless the party actually had one.
What he owns
Sound, edit, colour. The person who decides what the film withholds.